The Double
Fyodor DostoevskyThe Double A Petersburg Poem
by Fyodor Dostoevsky
Translated by Constance Garnett
Stopping at the door, our hero made haste to assume an air of propriety, ease, and even of a certain affability, and prepared to pull the bell. As he was about to do so he promptly and rather appropriately reflected that it might be better to come to-morrow, and that it was not very pressing for the moment. But as he suddenly heard footsteps on the stairs, he immediately changed his mind again and at once rang Krestyan Ivanovitch's bell - with an air, moreover, of great determination.
Chapter I
It was a little before eight o'clock in the morning when
Yakov Petrovitch Golyadkin, a titular councillor, woke up
from a long sleep. He yawned, stretched, and at last opened
his eyes completely. For two minutes, however, he lay in his
bed without moving, as though he were not yet quite certain
whether he were awake or still asleep, whether all that was
going on around him were real and actual, or the continuation
of his confused dreams. Very soon, however, Mr.
Golyadkin's senses began more clearly and more distinctly to
receive their habitual and everyday impressions. The dirty
green, smoke-begrimed, dusty walls of his little room, with
the mahogany chest of drawers and chairs, the table painted
red, the sofa covered with American leather of a reddish
colour with little green flowers on it, and the clothes taken
off in haste overnight and flung in a crumpled heap on the
sofa, looked at him familiarly. At last the damp autumn day,
muggy and dirty, peeped into the room through the dingy
window pane with such a hostile, sour grimace that Mr.
Golyadkin could not possibly doubt that he was not in the
land of Nod, but in the city of Petersburg, in his own flat on
the fourth storey of a huge block of buildings in
Shestilavotchny Street. When he had made this important
discovery Mr. Golyadkin nervously closed his eyes, as
though regretting his dream and wanting to go back to it for
a moment. But a minute later he leapt out of bed at one
bound, probably all at once, grasping the idea about which
his scattered and wandering thoughts had been revolving.
From his bed he ran straight to a little round looking-glass
that stood on his chest of drawers. Though the sleepy,
short-sighted countenance and rather bald head reflected in
the looking-glass were of such an insignificant type that at
first sight they would certainly not have attracted particular
attention in any one, yet the owner of the countenance was
satisfied with all that he saw in the looking-glass. "What a
thing it would be," said Mr. Golyadkin in an undertone,
"what a thing it would be if I were not up to the mark today,
if something were amiss, if some intrusive pimple had made
its appearance, or anything else unpleasant had happened; so
far, however, there's nothing wrong, so far everything's all
right."
Greatly relieved that everything was all right, Mr
Golyadkin put the looking-glass back in its place and,
although he had nothing on his feet and was still in the attire
in which he was accustomed to go to bed, he ran to the little
window and with great interest began looking for something
in the courtyard, upon which the windows of his flat looked
out. Apparently what he was looking for in the yard quite
satisfied him too; his face beamed with a self-satisfied smile.
Then, after first peeping, however, behind the partition into
his valet Petrushka's little room and making sure that
Petrushka was not there, he went on tiptoe to the table,
opened the drawer in it and, fumbling in the furthest corner
of it, he took from under old yellow papers and all sorts of
rubbish a shabby green pocket-book, opened it cautiously,
and with care and relish peeped into the furthest and most
hidden fold of it. Probably the roll of green, grey, blue, red
and particoloured notes looked at Golyadkin, too, with
approval: with a radiant face he laid the open pocket-book
before him and rubber his hands vigorously in token of the
greatest satisfaction. Finally, he took it out - his comforting
roll of notes - and, for the hundredth time since the previous
day, counted them over, carefully smoothing out every note
between his forefinger and his thumb.
"Seven hundred and fifty roubles in notes," he concluded
at last, in a half-whisper. "Seven hundred and fifty roubles,
a noteworthy sum! It's an agreeable sum," he went on, in a
voice weak and trembling with gratification, as he pinched
the roll with his fingers and smiled significantly; "it's a very
agreeable sum! A sum agreeable to any one! I should like
to see the man to whom that would be a trivial sum! There's
no knowing what a man might not do with a sum like that. .
. . What's the meaning of it, though?" thought Mr.
Golyadkin; "where's Petrushka?" And still in the same attire
he peeped behind the partition again. Again there was no
sign of Petrushka; and the samovar standing on the floor was
beside itself, fuming and raging in solitude, threatening every
minute to boil over, hissing and lisping in its mysterious
language, to Mr. Golyadkin something like, "Take me, good
people, I'm boiling and perfectly ready."
"Damn the fellow," thought Mr. Golyadkin. "That lazy
brute might really drive a man out of all patience; where's he
dawdling now?"
In just indignation he went out into the hall, which
consisted of a little corridor at the end of which was a door
into the entry, and saw his servant surrounded by a
good-sized group of lackeys of all sorts, a mixed rabble from
outside as well as from the flats of the house. Petrushka was
telling something, the others were listening. Apparently the
subject of the conversation, or the conversation itself, did not
please Mr. Golyadkin. He promptly called Petrushka and
returned to his room, displeased and even upset. "That beast
would sell a man for a halfpenny, and his master before any
one," he thought to himself: "and he has sold me, he certainly
has. I bet he has sold me for a farthing. Well?"
"They've brought the livery, sir."
"Put it on, and come here."
When he had put on his livery, Petrushka, with a stupid
smile on his face, went in to his master. His costume was
incredibly strange. He had on a much-worn green livery,
with frayed gold braid on it, apparently made for a man a
yard taller than Petrushka. In his hand he had a hat trimmed
with the same gold braid and with a feather in it, and at his
hip hung a footman's sword in a leather sheath. Finally, to
complete the picture, Petrushka, who always liked to be in
neglig‚, was barefooted. Mr. Golyadkin looked at Petrushka
from all sides and was apparently satisfied. The livery had
evidently been hired for some solemn occasion. It might be
observed, too, that during his master's inspection Petrushka
watched him with strange expectance and with marked
curiosity followed every movement he made, which
extremely embarrassed Mr. Golyadkin.
"Well, and how about the carriage?"
"The carriage is here too."
"For the whole day?"
"For the whole day. Twenty five roubles."
"And have the boots been sent?"
"Yes."
"Dolt! can't even say, yes, sir. Bring them here."
Expressing his satisfaction that the boots fitted, Mr.
Golyadkin asked for his tea, and for water to wash and shave.
He shaved with great care and washed as scrupulously,
hurriedly sipped his tea and proceeded to the principal final
process of attiring himself: he put on an almost new pair of
trousers; then a shirtfront with brass studs, and a very bright
and agreeably flowered waistcoat; about his neck he tied a
gay, particoloured cravat, and finally drew on his coat, which
was also newish and carefully brushed. As he dressed, he
more than once looked lovingly at his boots, lifted up first
one leg and then the other, admired their shape, kept
muttering something to himself, and from time to time made
expressive grimaces. Mr. Golyadkin was, however,
extremely absent-minded that morning, for he scarcely
noticed the little smiles and grimaces made at his expanse by
Petrushka, who was helping him dress. At last, having
arranged everything properly and having finished dressing,
Mr. Golyadkin put his pocket-book in his pocket, took a final
admiring look at Petrushka, who had put on his boots and
was therefore also quite ready, and, noticing that everything
was done and that there was nothing left to wait for, he ran
hurriedly and fussily out on to the stairs, with a slight
throbbing at his heart. the light-blue hired carriage with a
crest on it rolled noisily up to the steps. Petrushka, winking
to the driver and some of the gaping crowd, helped his
master into the carriage; and hardly able to suppress an
idiotic laugh, shouted in an unnatural voice: "Off!" jumped
up on the footboard, and the whole turnout, clattering and
rumbling noisily, rolled into the Nevsky Prospect. As soon
as the light-blue carriage dashed out of the gate, Mr.
Golyadkin rubbed his hands convulsively and went off into
a slow, noiseless chuckle, like a jubilant man who has
succeeded in bringing off a splendid performance and is as
pleased as Punch with the performance himself. Immediately
after his access of gaiety, however, laughter was replaced by
a strange and anxious expression on the face of Mr.
Golyadkin. Though the weather was damp and muggy, he let
down both windows of the carriage and began carefully
scrutinizing the passers-by to left and to right, at once
assuming a decorous and sedate air when he thought any one
was looking at him. At the turning from Liteyny Street into
the Nevsky Prospect he was startled by a most unpleasant
sensation and, frowning like some poor wretch whose corn
has been accidentally trodden on, he huddled with almost
panic-stricken hast into the darkest corner of his carriage.
He had seen two of his colleagues, two young clerks
serving in the same government department. The young
clerks were also, it seemed to Mr. Golyadkin, extremely
amazed at meeting their colleague in such a way; one of
them, in fact, pointed him out to the other. Mr. Golyadkin
even fancied that the other had actually called his name,
which, of course, was very unseemly in the street. Our hero
concealed himself and did not respond. "The silly
youngsters!" he began reflecting to himself. "Why, what is
there strange in it? A man in a carriage, a man needs to be in
a carriage, and so he hires a carriage. They're simply
noodles! I know them - simply silly youngsters, who still
need thrashing! They want to be paid a salary for playing
pitch-farthing and dawdling about, that's all they're fit for.
It'd let them all know, if only . . ."
Mr. Golyadkin broke off suddenly, petrified. A smart pair
of Kazan horses, very familiar to Mr. Golyadkin, in a
fashionable droshky, drove rapidly by on the right side of his
carriage. The gentleman sitting in the droshky, happening to
catch a glimpse of Mr. Golyadkin, who was rather
incautiously poking his head out of the carriage window, also
appeared to be extremely astonished at the unexpected
meeting and, bending out as far as he could, looked with the
greatest of curiosity and interest into the corner of the
carriage in which our hero made haste to conceal himself.
The gentleman in the droshky was Andrey Filippovitch, the
head of the office in which Mr. Golyadkin served in the
capacity of assistant to the chief clerk. Mr. Golyadkin,
seeing that Andrey Filippovitch recognized him, that he was
looking at him open-eyed and that it was impossible to hide,
blushed up to her ears.
"Bow or not? Call back or not? Recognize him or not?"
our hero wondered in indescribable anguish, "or pretend that
I am not myself, but somebody else strikingly like me, and
look as though nothing were the matter. Simply not I, not I
- and that's all," said Mr. Golyadkin, taking off his hat to
Andrey Filippovitch and keeping his eyes fixed upon him.
"I'm . . . I'm all right," he whispered with an effort; "I'm . . .
quite all right. It's not I, it's not I - and that is the fact of the
matter."
Soon, however, the droshky passed the carriage, and the
magnetism of his chief's eyes was at an end. Yet he went on
blushing, smiling and muttering something to himself. . .
"I was a fool not to call back," he thought at last. "I ought
to have taken a bolder line and behaved with gentlemanly
openness. I ought to have said 'This is how it is, Andrey
Filippovitch, I'm asked to the dinner too,' and that's all it is!"
Then, suddenly recalling how taken aback he had been,
our hero flushed as hot as fire, frowned, and cast a terrible
defiant glance at the front corner of the carriage, a glance
calculated to reduce all his foes to ashes. At last, he was
suddenly inspired to pull the cord attached to the driver's
elbow, and stopped the carriage, telling him to drive back to
Liteyny Street. The fact was, it was urgently necessary for
Mr. Golyadkin, probably for the sake of his own peace of
mind, to say something very interesting to his doctor,
Krestyan Ivanovitch. And, though he had made Krestyan
Ivanovitch's acquaintance quite recently, having, indeed, only
paid him a single visit, and that one the previous week, to
consult him about some symptom. but a doctor, as they say,
is like a priest, and it would be stupid for him to keep out of
sight, and, indeed, it was his duty to know his patients. "Will
it be all right, though," our hero went on, getting out of the
carriage at the door of a five-storey house in Liteyny Street,
at which he had told the driver to stop the carriage: "Will it
be all right? Will it be proper? Will it be appropriate? After
all, though," he went on, thinking as he mounted the stairs
out of breath and trying to suppress that beating of his heart,
which had the habit of beating on all other people's
staircases: "After all, it's on my own business and there's
nothing reprehensible in it. . . . It would be stupid to keep out
of sight. Why, of course, I shall behave as though I were
quite all right, and have simply looked in as I passed. . . . He
will see, that it's all just as it should be."
Reasoning like this, Mr. Golyadkin mounted to the second
storey and stopped before flat number five, on which there
was a handsome brass door-plate with the inscription -
KRESTYAN IVANOVITCH RUTENSPITZ Doctor of Medicine and Surgery
Chapter II
The doctor of medicine and surgery, Krestyan Ivanovitch
Rutenspitz, a very hale though elderly man, with thick
eyebrows and whiskers that were beginning to turn grey,
eyes with an expressive gleam in them that looked capable of
routing every disease, and, lastly, with orders of some
distinction on his breast, was sitting in his consulting-room
that morning in his comfortable armchair. He was drinking
coffee, which his wife had brought him with her own hand,
smoking a cigar and from time to time writing prescriptions
for his patients. After prescribing a draught for an old man
who was suffering from haemorrhoids and seeing the aged
patient out by the side door, Krestyan Ivanovitch sat down to
await the next visitor.
Mr. Golyadkin walked in.
Apparently Krestyan Ivanovitch did not in the least expect
nor desire to see Mr. Golyadkin, for he was suddenly taken
aback for a moment, and his countenance unconsciously
assumed a strange and, one may almost say, a displeased
expression. As Mr. Golyadkin almost always turned up
inappropriately and was thrown into confusion whenever he
approached any one about his own little affairs, on this
occasion, too, he was desperately embarrassed. Having
neglected to get ready his first sentence, which was
invariably a stumbling-block for him on such occasions, he
muttered something - apparently an apology - and, not
knowing what to do next, took a chair and sat down, but,
realizing that he had sat down without being asked to do so,
he was immediately conscious of his lapse, and made haste
to efface his offence against etiquette and good breeding by
promptly getting up again from the seat he had taken
uninvited. Then, on second thoughts, dimly perceiving that
he had committed two stupid blunders at once, he
immediately decided to commit a third - that is, tried to right
himself, muttered something, smiled, blushed, was overcome
with embarrassment, sank into expressive silence, and finally
sat down for good and did not get up again. Only, to protect
himself from all contingencies, he looked at the doctor with
that defiant glare which had an extraordinary power of
figuratively crushing Mr. Golyadkin's enemies and reducing
them to ashes. This glance, moreover, expressed to the full
Mr. Golyadkin's independence - that is, to speak plainly, the
fat that Mr. Golyadkin was "all right," that he was "quite
himself, like everybody else," and that there was "nothing
wrong in his upper storey." Krestyan Ivanovitch coughed,
cleared his throat, apparently in token of approval and assent
to all this, and bent an inquisitorial interrogative gaze upon
his visitor.
"I have come to trouble you a second time, Krestyan
Ivanovitch," began Mr. Golyadkin, with a smile, "and now I
venture to ask your indulgence a second time. . . ." He was
obviously at a loss for words.
"H'm . . . Yes!" pronounced Krestyan Ivanovitch, puffing
out a spiral of smoke and putting down his cigar on the table,
"but you must follow the treatment prescribed to you; I
explained to you that what would be beneficial to your health
is a change of habits. . . . Entertainment, for instance, and,
well, friends - you should visit your acquaintances, and not
be hostile to the bottle; and likewise keep cheerful company."
Mr. Golyadkin, still smiling, hastened to observe that he
thought he was like every one else, that he lived by himself,
that he had entertainments like every one else . . . that, of
course, he might go to the theatre, for he had the means like
every one else, that he spent the day at the office and the
evenings at home, that he was quite all right; he even
observed, in passing, that he was, so far as he could see, as
good as any one, that he lived at home, and finally, that he
had Petrushka. At this point Mr. Golyadkin hesitated.
"H'm! no, that is not the order of proceeding that I want;
and that is not at all what I would ask you. I am interested to
know, in general, are you a great lover of cheerful company?
Do you take advantages of festive occasions; and well, do
you lead a melancholy or cheerful manner of life?"
"Krestyan Ivanovitch, I . . ."
"H'm! . . . I tell you," interrupted the doctor, "that you
must have a radical change of life, must, in a certain sense,
break in your character." (Krestyan Ivanovitch laid special
stress on the word "break in," and paused for a moment with
a very significant air.) "Must not shrink from gaiety, must
visit entertainments and clubs, and in any case, be not hostile
to the bottle. Sitting at home is not right for you . . . sitting
at home is impossible for you."
"I like quiet, Krestyan Ivanovitch," said Mr. Golyadkin,
with a significant look at the doctor and evidently seeking
words to express his ideas more successfully: "In my flat
there's only me and Petrushka. . . . I mean my man, Krestyan
Ivanovitch. I mean to say, Krestyan Ivanovitch, that I go my
way, my own way, Krestyan Ivanovitch. I keep myself to
myself, and so far as I can see am not dependent on any one.
I go out for walks, too, Krestyan Ivanovitch."
"What? Yes! well, nowadays there's nothing agreeable in
walking: the climate's extremely bad."
"Quite so, Krestyan Ivanovitch. Though I'm a peaceable
man, Krestyan Ivanovitch, as I've had the honour of
explaining to you already, yet my way lies apart, Krestyan
Ivanovitch. The ways of life are manifold . . . I mean . . . I
mean to say, Krestyan Ivanovitch. . . . Excuse me, Krestyan
Ivanovitch, I've no great gift for eloquent speaking."
"H'm . . . you say . . ."
"I say, you must excuse me, Krestyan Ivanovitch, that as
far as I can see I am no great hand at eloquence in speaking,"
Mr. Golyadkin articulated, stammering and hesitating, in a
half-aggrieved voice. "In that respect, Krestyan Ivanovitch,
I'm not quite like other people," he added, with a peculiar
smile, "I can't talk much, and have never learnt to embellish
my speech with literary graces. On the other hand, I cat,
Krestyan Ivanovitch; on the other hand, I act, Krestyan
Ivanovitch."
"H'm . . . How's that . . . you act?" responded Krestyan
Ivanovitch.
Then silence followed for half a minute. The doctor
looked somewhat strangely and mistrustfully at his visitor.
Mr. Golyadkin, for his part, too, stole a rather mistrustful
glance at the doctor.
"Krestyan Ivanovitch," he began, going on again in the
same tone as before, somewhat irritated and puzzled by the
doctors extreme obstinacy: "I like tranquillity and not the
noisy gaiety of the world. Among them, I mean, in the noisy
world, Krestyan Ivanovitch one must be able to polish the
floor with one's boots . . ." (here Mr. Golyadkin made a slight
scrape on the floor with his toe); "they expect it, and they
expect puns too . . . one must know how to make a perfumed
compliment . . . that's what they expect there. And I've not
learnt to do it, Krestyan Ivanovitch, I've never learnt all those
tricks, I've never had the time. I'm a simple person, and not
ingenious, and I've no external polish. On that side I
surrender, Krestyan Ivanovitch, I lay down my arms,
speaking in that sense."
All this Mr. Golyadkin pronounced with an air which
made it perfectly clear that our hero was far from regretting
that he was laying down his arms in that sense and that he
had not learnt these tricks; quite the contrary, indeed. As
Krestyan Ivanovitch listened to him, he looked down with a
very unpleasant grimace on his face, seeming to have a
presentiment of something. Mr. Golyadkin's tirade was
followed by a rather long and significant silence.
"You have, I think, departed a little from the subject,"
Krestyan Ivanovitch said at last, in a low voice: "I confess I
cannot altogether understand you."
"I'm not a great hand at eloquent speaking, Krestyan
Ivanovitch; I've had the honour to inform you, Krestyan
Ivanovitch, already," said Mr. Golyadkin, speaking this time
in a sharp and resolute tone.
"H'm!" . . .
"Krestyan Ivanovitch!" began Mr. Golyadkin again in a
low but more significant voice in a somewhat solemn style
and emphasizing every point: "Krestyan Ivanovitch, when I
came in here I began with apologies. I repeat the same thing
again, and again ask for your indulgence. There's no need
for me to conceal it, Krestyan Ivanovitch. I'm an
unimportant man, as you know; but fortunately for me, I do
not regret being an unimportant man. Quite the contrary,
indeed, Krestyan Ivanovitch, and, to be perfectly frank, I'm
proud that I'm not a great man but an unimportant man. I'm
not one to intrigue and I'm proud of that too, I don't act on
the sly, but openly, without cunning, and although I could do
harm too, and a great deal of harm, indeed, and know to
whom and how to do it, Krestyan Ivanovitch, yet I won't
sully myself, and in that sense I was my hands. In that sense,
I say, I wash them, Krestyan Ivanovitch!" Mr. Golyadkin
paused expressively for a moment; he spoke with mild
fervour.
"I set to work, Krestyan Ivanovitch," our hero continued,
"directly, openly, by no devious ways, for I disdain them, and
leave them to others. I do not try to degrade those who are
perhaps purer than you and I . . . that is, I mean, I and they,
Krestyan Ivanovitch - I didn't mean you. I don't like
insinuations; I've no taste for contemptible duplicity; I'm
disgusted by slander and calumny. I only put on a mask at a
masquerade, and don't wear one before people every day. I
only ask you, Krestyan Ivanovitch, how you would revenge
yourself upon your enemy, your most malignant enemy - the
one you would consider such?" Mr. Golyadkin concluded
with a challenging glance at Krestyan Ivanovitch.
Though Mr. Golyadkin pronounced this with the utmost
distinctness and clearness, weighing his words with a
self-confident air and reckoning on their probable effect, yet
meanwhile he looked at Krestyan Ivanovitch with anxiety,
with great anxiety, with extreme anxiety. Now he was all
eyes: and timidly waited for the doctor's answer with irritable
and agonized impatience. But to the perplexity and complete
amazement of our hero, Krestyan Ivanovitch only muttered
something to himself; then he moved his armchair up to the
table, and rather drily though politely announced something
to the effect that his time was precious, and that he did not
quite understand; that he was ready, however, to attend to
him as far as he was able, but he wold not go into anything
further that did not concern him. At this point he took the
pen, drew a piece of paper towards him, cut out of it the
usual long strip, and announced that he would immediately
prescribe what was necessary.
"No, it's not necessary, Krestyan Ivanovitch! No, that's
not necessary at all!" said Mr. Golyadkin, getting up from his
seat, and clutching Krestyan Ivanovitch's right hand. "That
isn't what's wanted, Krestyan Ivanovitch."
And, while he said this, a queer change came over him.
His grey eyes gleamed strangely, his lips began to quiver, all
the muscles, all the features of his face began moving and
working. He was trembling all over. After stopping the
doctor's hand, Mr. Golyadkin followed his first movement by
standing motionless, as though he had no confidence in
himself and were waiting for some inspiration for further
action.
Then followed a rather strange scene.
Somewhat perplexed, Krestyan Ivanovitch seemed for a
moment rooted to his chair and gazed open-eyed in
bewilderment at Mr. Golyadkin, who looked at him in
exactly the same way. At last Krestyan Ivanovitch stood up,
gently holding the lining of Mr. Golyadkin's coat. For some
seconds they both stood like that, motionless, with their eyes
fixed on each other. Then, however, in an extraordinarily
strange way came Mr. Golyadkin's second movement. His
lips trembled, his chin began twitching, and our hero quite
unexpectedly burst into tears. Sobbing, shaking his head and
striking himself on the chest with his right hand, while with
his left clutching the lining of the doctor's coat, he tried to
say something and to make some explanation but could not
utter a word.
At last Krestyan Ivanovitch recovered from his
amazement.
"Come, calm yourself!" he brought out at last, trying to
make Mr. Golyadkin sit down in an armchair.
"I have enemies, Krestyan Ivanovitch, I have enemies; I
have malignant enemies who have sworn to ruin me . . ." Mr
Golyadkin answered in a frightened whisper.
"Come, come, why enemies? you mustn't talk about
enemies! You really mustn't. Sit down, sit down," Krestyan
Ivanovitch went on, getting Mr. Golyadkin once and for all
into the armchair.
Mr. Golyadkin sat down at last, still keeping his eyes fixed
on the doctor. With an extremely displeased air, Krestyan
Ivanovitch strode from one end of the room to another. A
long silence followed.
"I'm grateful to you, Krestyan Ivanovitch, I'm very
grateful, and I'm very sensible of all you've done for me now.
To my dying day I shall never forget your kindness,
Krestyan Ivanovitch," said Mr. Golyadkin, getting up from
his seat with an offended air.
"Come, give over! I tell you, give over!" Krestyan
Ivanovitch responded rather sternly to Mr. Golyadkin's
outburst, making him sit down again.
"Well , what's the matter? Tell me what is unpleasant,"
Krestyan Ivanovitch went on, "and what enemies are you
talking about? What is wrong?"
"No, Krestyan Ivanovitch we'd better leave that now,"
answered Mr. Golyadkin, casting down his eyes; "let us put
all that aside for the time. . . . Till another time, Krestyan
Ivanovitch, till a more convenient moment, when everything
will be discovered and the mask falls off certain faces, and
something comes to light. But, meanwhile, now, of course,
after what has passed between us . . . you will agree yourself,
Krestyan Ivanovitch. . . . Allow me to wish you good
morning, Krestyan Ivanovitch," said Mr. Golyadkin, getting
up gravely and resolutely and taking his hat.
"Oh, well . . . as you like . . . h'm . . ." (A moment of
silence followed.) "For my part, you know . . . whatever I
can do . . . and I sincerely wish you well."
"I understand you, Krestyan Ivanovitch, I understand: I
understand you perfectly now . . . In any case excuse me for
having troubled you, Krestyan Ivanovitch."
"H'm, no, I didn't mean that. However, as you please; go
on taking the medicines as before. . . ."
"I will go with the medicines as you say, Krestyan
Ivanovitch. I will go on with them, and I will get them at the
same chemist's . . . To be a chemist nowadays, Krestyan
Ivanovitch, is an important business. . . ."
"How so? In what sense do you mean?"
"In a very ordinary sense, Krestyan Ivanovitch. I mean to
say that nowadays that's the way of the world. . ."
"H'm. . ."
"And that every silly youngster, not only a chemist's boy
turns up his nose at respectable people."
"H'm. How do you understand that?"
"I'm speaking of a certain person, Krestyan Ivanovitch . .
. of a common acquaintance of ours, Krestyan Ivanovitch, of
Vladimir Semyonovitch . . ."
"Ah!"
"Yes, Krestyan Ivanovitch: and I know certain people,
Krestyan Ivanovitch, who didn't keep to the general rule of
telling the truth, sometimes."
"Ah! How so?"
"Why, yes, it is so: but that's neither here nor there: they
sometimes manage to serve you up a fine egg in gravy."
"What? Serve up what?"
"An egg in gravy, Krestyan Ivanovitch. It's a Russian
saying. They know how to congratulate some one the right
moment, for instance; there are people like that."
"Congratulate?"
"yes, congratulate, Krestyan Ivanovitch, as some one I
know very well did the other day!" . . .
"Some one you know very well . . . Ah! how was that?"
said Krestyan Ivanovitch, looking attentively at Mr.
Golyadkin.
"Yes, some one I know very well indeed congratulated
some one else I know very well - and, what's more, a
comrade, a friend of his heart, on his promotion, on his
receiving the rank of assessor. This was how it happened to
come up: 'I am exceedingly glad of the opportunity to offer
you, Vladimir Semyonovitch, my congratulations, my sincere
congratulations, on your receiving the rank of assessor. And
I'm the more please, as all the world knows that there are old
women nowadays who tell fortunes.'"
At this point Mr. Golyadkin gave a sly nod, and screwing
up his eyes, looked at Krestyan Ivanovitch . . .
"H'm. So he said that. . . ."
"He did, Krestyan Ivanovitch, he said it and glanced at
once at Andrey Filippovitch, the uncle of out Prince
Charming, Vladimir Semyonovitch. But what is it to me,
Krestyan Ivanovitch, that he has been made an assessor?
What is it to me? And he wants to get married and the milk
is scarcely dry on his lips, if I may be allowed the expression.
And I said as much. Vladimir Semyonovitch, said I! I've said
everything now; allow me to withdraw."
"H'm . . ."
"Yes, Krestyan Ivanovitch, all me now, I say, to withdraw.
But, to kill two birds with one stone, as I twitted our young
gentleman with the old women, I turned to Klara Olsufyevna
(it all happened the same day, before yesterday at Olsufy
Ivanovitch's), and she had only just sung a song with feeling,
'You've sung songs of feeling, madam,' said I, 'but they've
not been listened to with a pure heart.' And by that I hinted
plainly, Krestyan Ivanovitch, hinted plainly, that they were
not running after her now, but looking higher . . ."
"Ah! And what did he say?"
"He swallowed the pill, Krestyan Ivanovitch, as the saying
is."
"H'm . . ."
"Yes, Krestyan Ivanovitch. To the old man himself, too,
I said, Olsufy Ivanovitch, said I, 'I know how much I'm
indebted to you, I appreciate to the full all the kindness
you've showered upon me from my childhood up. But open
your eyes, Olsufy Ivanovitch,' I said. 'Look about you. I
myself do things openly and aboveboard, Olsufy
Ivanovitch.'"
"Oh, really!"
"Yes, Krestyan Ivanovitch. Really . . ."
"What did he say?"
"Yes, what, indeed, Krestyan Ivanovitch? He mumbled
one thing and another, and I know you, and that his
Excellency was a benevolent man - he rambled on . . . But,
there, you know! he's begun to be a bit shaky, as they say,
with old age."
"Ah! So that's how it is now . . ."
"Yes, Krestyan Ivanovitch. And that's how we all are!
Poor old man! He looks towards the grave, breathes incense,
as they say, while they concoct a piece of womanish gossip
and he listens to it; without him they wouldn't . . ."
"Gossip, you say?"
"Yes, Krestyan Ivanovitch, they've concocted a womanish
scandal. Our bear, too, had a finger in it, and his nephew,
our Prince Charming. They've joined hands with the old
women and, of course, they've concocted the affair. Would
you believe it? They plotted the murder of some one! . . ."
"The murder of some one?"
"Yes, Krestyan Ivanovitch, the moral murder of some one.
They spread about . . . I'm speaking of a man I know very
well."
Krestyan Ivanovitch nodded.
"They spread rumours about him . . . I confess I'm
ashamed to repeat them, Krestyan Ivanovitch."
"H'm." . . .
"They spread a rumour that he had signed a promise to
marry though he was already engaged in another quarter . .
. and would you believe it, Krestyan Ivanovitch, to whom?"
"Really?"
"To a cook, to a disreputable German woman from whom
he used to get his dinners; instead of paying what he owed,
he offered her his hand."
"Is that what they say?"
"Would you believe it, Krestyan Ivanovitch? A low
German, a nasty shameless German, Karolina Ivanovna, if
you know . . ."
"I confess, for my part . . ."
"I understand you, Krestyan Ivanovitch, I understand, and
for my part I feel it . . ."
"Tell me, please, where are you living now?"
"Where am I living now, Krestyan Ivanovitch?"
"Yes . . . I want . . . I believe you used to live . . ."
"Yes, Krestyan Ivanovitch, I did, I used to. To be sure I
lived!" answered Mr. Golyadkin, accompanying his words
with a little laugh, and somewhat disconcerting Krestyan
Ivanovitch by his answer.
"No, you misunderstood me; I meant to say . . ."
"I, too, meant to say, Krestyan Ivanovitch, I meant it too,"
Mr. Golyadkin continued, laughing. "But I've kept you far
too long, Krestyan Ivanovitch. I hope you will allow me
now, to wish you good morning."
"H'm . . ."
"Yes, Krestyan Ivanovitch, I understand you; I fully
understand you now," said our hero, with a slight flourish
before Krestyan Ivanovitch. "And so permit me to wish you
good morning . . ."
At this point our hero made a scraping with the toe of his
boot and walked out of the room, leaving Krestyan
Ivanovitch in the utmost amazement. As he went down the
doctor's stairs he smiled and rubbed his hands gleefully. On
the steps, breathing the fresh air and feeling himself at
liberty, he was certainly prepared to admit that he was the
happiest of mortals, and thereupon to go straight to his office
- when suddenly his carriage rumbled up to the door: he
glanced at it and remembered everything. Petrushka was
already opening the carriage door. Mr. Golyadkin was
completely overwhelmed by a strong and unpleasant
sensation. He blushed, as it were, for a moment. Something
seemed to stab him. He was just about to raise his foot to the
carriage step when he suddenly turned round and looked
towards Krestyan Ivanovitch's window. Yes, it was so!
Krestyan Ivanovitch was standing at the window, was
stroking his whiskers with his right hand and staring with
some curiosity at the hero of out story.
"That doctor is silly," thought Mr. Golyadkin, huddling out
of sight in the carriage; "extremely silly. He may treat his
patients all right, but still . . . he's as stupid as a post."
Mr. Golyadkin sat down, Petrushka shouted "Off!" and the
carriage rolled towards Nevsky Prospect again.
Chapter III
All that morning was spent by Mr. Golyadkin in a strange
bustle of activity. On reaching the Nevsky Prospect our hero
told the driver to stop at the bazaar. Skipping out of his
carriage, he ran to the Arcade, accompanied by Petrushka,
and went straight to a shop where gold and silver articles
were for sale. One could see from his very air that he was
overwhelmed with business and had a terrible amount to do.
Arranging to purchase a complete dinner- and tea-service for
fifteen hundred roubles and including in the bargain for that
sum a cigar-case of ingenious form and a silver shaving-set,
and finally, asking the price of some other articles, useful and
agreeable in their own way, he ended by promising to come
without fail next day, or to send for his purchases the same
day. He took the number of the shop, and listening
attentively to the shopkeeper, who was very pressing for a
small deposit, said that he should have it all in good time.
After which he took leave of the amazed shopkeeper and,
followed by a regular flock of shopmen, walked along the
Arcade, continually looking round at Petrushka and
diligently seeking our fresh shops. On the way he dropped
into a money-changer's and changed all his big notes into
small ones, and though he lost on the exchange, his
pocket-book was considerably fatter, which evidently
afforded him extreme satisfaction. Finally, he stopped at a
shop for ladies' dress materials. Here, too, after deciding to
purchase good for a considerable sum, Mr. Golyadkin
promised to come again, took the number of the shop and, on
being asked for a deposit, assured the shopkeeper that "he
should have a deposit too, all in good time." Then he visited
several other shops, making purchases in each of them, asked
the price of various things, sometimes arguing a long time
with the shopkeeper, going out of the shop and returning two
or three times - in fact he displayed exceptional activity.
From the Arcade our hero went to a well-known furniture
shop, where he ordered furniture for six rooms; he admired
a fashionable and very toilet table for ladies' use in the latest
style, and, assuring the shopkeeper than he would certainly
send for all these things, walked out of the shop, as usual
promising a deposit. then he went off somewhere else and
ordered something more. In short, there seemed to be no end
to the business he had to get through. At last, Mr. Golyadkin
seemed to grow heartily sick of it all, and he began, goodness
knows why, to be tormented by the stings of conscience.
Nothing would have induced him now, for instance, to meet
Andrey Filippovitch, or even Krestyan Ivanovitch.
At last, the town clock struck three. When Mr. Golyadkin
finally took his seat in the carriage, of all the purchases he
had made that morning he had, it appeared, in reality only got
a pair of gloves and a bottle of scent, that cost a rouble and
a half. As it was still rather early, he ordered his coachman
to stop near a well-known restaurant in Nevsky Prospect
which he only knew by reputation, got out of the carriage,
and hurried in to have a light lunch, to rest and to wait for the
hour fixed for the dinner.
Lunching as a man lunches who has the prospect before him
of going out to a sumptuous dinner, that is, taking a snack of
something in order to still the pangs, as they say, and
drinking one small glass of vodka, Mr. Golyadkin established
himself in an armchair and, modestly looking about him,
peacefully settled down to an emaciated nationalist paper.
After reading a couple of lines he stood up and looked in the
looking-glass, set himself to rights and smoothed himself
down; then he went to the window and looked to see whether
his carriage was there . . . then he sat down again in his place
and took up the paper. It was noticeable that our hero was in
great excitement. Glancing at his watch and seeing that it
was only a quarter past three and that he had consequently a
good time to wait and, at the same time, opining that to sit
like that was unsuitable, Mr. Golyadkin ordered chocolate,
though he felt no particular inclination for it at the moment.
Drinking the chocolate and noticing that the time had moved
on a little, he went up to pay his bill.
He turned round and saw facing him two of his colleagues,
the same two he had met that morning in Liteyny Street, -
young men, very much his juniors both in age and rank. Our
hero's relations with them were neither one thing nor the
other, neither particularly friendly nor openly hostile. Good
manners were, of course, observed on both sides: there was
no closer intimacy, nor could there be. The meeting at this
moment was extremely distasteful to Mr. Golyadkin. He
frowned a little, and was disconcerted for an instant.
"Yakov Petrovitch, Yakov Petrovitch!" chirped the two
register clerks; "you here? what brings you? . . ."
"Ah, it is you, gentlemen," Mr. Golyadkin interrupted
hurriedly, somewhat embarrassed and scandalized by the
amazement of the clerks and by the abruptness of their
address, but feeling obliged, however, to appear jaunty and
free and easy. "You've deserted gentlemen, he-he-he . . ."
Then, to keep up his dignity and to condescend to the
juveniles, with whom he never overstepped certain limits, he
attempted to slap one of the youths on the shoulder; but this
effort at good fellowship did not succeed and, instead of
being a well-bred little jest, produced quite a different effect.
"Well, and our bear, is he still at the office?"
"Who's that, Yakov Petrovitch?"
"Why, the bear. Do you mean to say you don't know
whose name that is? . . ." Mr. Golyadkin laughed and turned
to the cashier to take his change.
"I mean Andrey Filippovitch, gentlemen," he went on,
finishing with the cashier, and turning to the clerks this time
with a very serious face. The two register clerks winked at
one another.
"He's still at the office and asking for you, Yakov
Petrovitch," answered one of them.
"At the office, eh! In that case, let him stay, gentlemen.
And asking for me, eh?"
"He was asking for you, Yakov Petrovitch; but what's up
with you, scented, pomaded, and such a swell? . . ."
"Nothing, gentlemen, nothing! that's enough," answered
Mr. Golyadkin, looking away with a constrained smile.
Seeing that Mr. Golyadkin was smiling, the clerks laughed
aloud. Mr. Golyadkin was a little offended.
"I'll tell you as friends, gentlemen," our hero said, after a
brief silence, as though making up his mind (which, indeed,
was the case) to reveal something to them. "You all know
me, gentlemen, but hitherto you've known me only on one
side. no one is to blame for that and I'm conscious that the
fault has been partly my own."
Mr. Golyadkin pursed his lips and looked significantly at
the clerks. The clerks winked at one another again.
"Hitherto, gentlemen, you have not known me. To explain
myself here and now would not be appropriate. I will only
touch on it lightly in passing. There are people, gentlemen,
who dislike roundabout ways and only mask themselves at
masquerades. There are people who do not see man's highest
avocation in polishing the floor with their boots. There are
people, gentlemen, who refuse to say that they are happy and
enjoying a full life when, for instance, their trousers set
properly. There are people, finally, who dislike dashing and
whirling about for no object, fawning, and licking the dust,
and above all, gentlemen, poking their noses where they are
not wanted. . . I've told you almost everything, gentlemen;
now allow me to withdraw. . ."
Mr. Golyadkin paused. As the register clerks had not got
all that they wanted, both of them with great incivility burst
into shouts of laughter. Mr. Golyadkin flared up.
"Laugh away, gentlemen, laugh away for the time being!
If you live long enough you will see," he said, with a feeling
of offended dignity, taking his hat and retreating to the door.
"But I will say more, gentlemen," he added, turning for the
last time to the register clerks, "I will say more - you are both
here with me face to face. This, gentlemen, is my rule: if I
fail I don't lose heart, if I succeed I persevere, and in any case
I am never underhand. I'm not one to intrigue - and I'm
proud of it. I've never prided myself on diplomacy. They
say, too, gentlemen, that the bird flies itself to the hunter. It's
true and I'm ready to admit it; but who's the hunter, and
who's the bird in this case? That is still the question,
gentlemen!"
Mr. Golyadkin subsided into eloquent silence, and, with a
most significant air, that is, pursing up his lips and raising his
eyebrows as high as possible, he bowed to the clerks and
walked out, leaving them in the utmost amazement.
"What are your orders now?" Petrushka asked, rather
gruffly; he was probably weary of hanging about in the cold.
"What are your orders?" he asked Mr. Golyadkin, meeting
the terrible, withering glance with which our hero had
protected himself twice already that morning, and to which
he had recourse now for the third time as he came down the
steps.
"To Ismailovsky Bridge."
"To Ismailovsky Bridge! Off!"
"Their dinner will not begin till after four, or perhaps five
o'clock," thought Mr. Golyadkin; "isn't it early now?
However, I can go a little early; besides, it's only a family
dinner. And so I can go sans facons, as they say among
well-bred people. Why shouldn't I go sans facons? The bear
told us, too, that it would all be sans facons, and so I will be
the same. . . ." Such were Mr. Golyadkin's reflections and
meanwhile his excitement grew more and more acute. It
could be seen that he was preparing himself for some great
enterprise, to say nothing more; he muttered to himself,
gesticulated with his right hand, continually looked out of his
carriage window, so that, looking at Mr. Golyadkin, no one
would have said that he was on his way to a good dinner, and
only a simple dinner in his family circle - sans facons, as they
say among well-bred people. Finally, just at Ismailovsky
Bridge, Mr. Golyadkin pointed out a house; and the carriage
rolled up noisily and stopped at the first entrance on the right.
Noticing a feminine figure at the second storey window, Mr.
Golyadkin kissed his hand to her. He had, however, not the
slightest idea what he was doing, for he felt more dead than
alive at the moment. He got out of the carriage pale,
distracted; he mounted the steps, took off his hat,
mechanically straightened himself, and though he felt a slight
trembling in his knees, he went upstairs.
"Olsufy Ivanovitch?" he inquired of the man who opened
the door.
"At home, sir; at least he's not at home, his honour's not at
home."
"What? What do you mean, my good man? I-I've come
to dinner, brother. Why, you know me?"
"To be sure I know you! I've orders not to admit you."
"You . . . you, brother . . . you must be making a mistake.
It's I, my boy, I'm invited; I've come to dinner," Mr.
Golyadkin announced, taking off his coat and displaying
unmistakable intentions of going into the room.
"Allow me, sir, you can't, sir. I've orders not to admit you.
I've orders to refuse you. That's how it is."
Mr. Golyadkin turned pale. At that very moment the door
of the inner room opened and Gerasimitch, Olsufy
Ivanovitch's old butler, came out.
"You see the gentlemen wants to go in, Emelyan
Gerasimitch, and I . . ."
"And you're a fool, Alexeitch. Go inside and send the
rascal Semyonovitch here. It's impossible," he said politely
but firmly, addressing Mr. Golyadkin. "It's quite impossible.
His honour begs you to excuse him; he can't see you."
"He said he couldn't see me?" Mr. Golyadkin asked
uncertainly. "Excuse me, Gerasimitch, why is it
impossible?"
"It's quite impossible. I've informed your honour; they
said Ask him to excuse us. They can't see you."
"Why not? How's that? Why."
"Allow me, allow me! . . ."
"How is it though? It's out of the question! Announce me
. . . How is it? I've come to dinner. . ."
"Excuse me, excuse me . . ."
"Ah, well, that's a different matter, they asked to be
excused: but, allow me, Gerasimitch; how is it,
Gerasimitch?"
"Excuse me, excuse me! replied Gerasimitch, very firmly
putting away Mr. Golyadkin's hand and making way for two
gentlemen who walked into the entry that very instant. The
gentlemen in question were Andrey Filippovitch and his
nephew Vladimir Semyonovitch. Both of the looked with
amazement at Mr. Golyadkin. Andrey Filippovitch seemed
about to say something, but Mr. Golyadkin had by now made
up his mind: he was by now walking out of Olsufy
Ivanovitch's entry, blushing and smiling, with eyes cast down
and a countenance of helpless bewilderment. "I will come
afterwards, Gerasimitch; I will explain myself: I hope that all
this will without delay be explained in due season. . . ."
"Yakov Petrovitch, Yakov Petrovitch . . ." He heard the
voice of Andrey Filippovitch following him.
Mr. Golyadkin was by that time on the first landing. He
turned quickly to Andrey Filippovitch.
"What do you desire, Andrey Filippovitch?" he said in a
rather resolute voice.
"What's wrong with you, Yakov Petrovitch? In what
way?"
"No matter, Andrey Filippovitch. I'm on my own account
here. This is my private life, Andrey Filippovitch."
"What's that?"
"I say, Andrey Filippovitch, that this is my private life, and
as for my being here, as far as I can see, there's nothing
reprehensible to be found in it as regards my official
relations."
"What! As regards your official . . . What's the matter
with you, my good sir?"
"Nothing, Andrey Filippovitch, absolutely nothing; an
impudent slut of a girl, and nothing more . . ."
"What! What?" Andrey Filippovitch was stupefied with
amazement. Mr. Golyadkin, who had up till then looked as
though he would fly into Andrey Filippovitch's face, seeing
that the head of his office was laughing a little, almost
unconsciously took a step forward. Andrey Filippovitch
jumped back. Mr. Golyadkin went up one step and then
another. Andrey Filippovitch looked about him uneasily.
Mr. Golyadkin mounted the stairs rapidly. Still more rapidly
Andrey Filippovitch darted into the flat and slammed the
door after him. Mr. Golyadkin was left alone. Everything
grew dark before his eyes. He was utterly nonplussed, and
stood now in a sort of senseless hesitation, as though
recalling something extremely senseless, too, that had
happened quite recently. "Ech, ech!" he muttered, smiling
with constraint. Meanwhile, there came the sounds of steps
and voices on the stairs, probably of other guests invited by
Olsufy Ivanovitch. Mr. Golyadkin recovered himself to
some extent; put up his racoon collar, concealing himself
behind it as far as possible, and began going downstairs with
rapid little steps, tripping and stumbling in his haste. He felt
overcome by a sort of weakness and numbness. His
confusion was such that, when he came out on the steps, he
did not even wait for his carriage but walked across the
muddy court to it. When he reached his carriage and was
about to get into it, Mr. Golyadkin inwardly uttered a desire
to sink into the earth, or to hide in a mouse hole together with
his carriage. It seemed to him that everything in Olsufy
Ivanovitch's house was looking at him now out of every
window. He knew that he would certainly die on the spot if
he were to go back.
"What are you laughing at, blockhead?" he said in a rapid
mutter to Petrushka, who was preparing to help him into the
carriage.
"What should I laugh at? I'm not doing anything; where
are we to drive to now?"
"Go home, drive on. . . ."
"Home, off!" shouted Petrushka, climbing on to the
footboard.
"What a crow's croak!" thought Mr. Golyadkin.
Meanwhile, the carriage had driven a good distance from
Ismailovsky Bridge. Suddenly our hero pulled the cord with
all his might and shouted to the driver to turn back at once.
The coachman turned his horses and within two minutes was
driving into Olsufy Ivanovitch's yard again.
"Don't, don't, you fool, back!" shouted Mr. Golyadkin -
and, as though he were expecting this order, the driver made
no reply but, without stopping at the entrance, drove all
round the courtyard and out into the street again.
Mr. Golyadkin did not drive home, but, after passing the
Semyonovsky Bridge, told the driver to return to a side street
and stop near a restaurant of rather modest appearance.
Getting out of the carriage, our hero settled up with the driver
and so got rid of his equipage at last. He told Petrushka to go
home and await his return, while he went into the restaurant,
took a private room and ordered dinner. He felt very ill and
his brain was in the utmost confusion and chaos. For a long
time he walked up and down the room in agitation; at last he
sat down in a chair, propped his brow in his hands and began
doing his very utmost to consider and settle something
relating to his present position.
Chapter IV
That day the birthday of Klara Olsufyevna, the only daughter
of the civil councillor, Berendyev, at one time Mr.
Golyadkin's benefactor and patron, was being celebrated by
a brilliant and sumptuous dinner-party, such as had not been
seen for many a long day within the walls of the flats in the
neighbourhood of Ismailovsky Bridge - a dinner more like
some Balthazar's feast, with a suggestion of something
Babylonian in its brilliant luxury and style, with
Veuve-Clicquot champagne, with oysters and fruit from
Eliseyev's and Milyutin's, with all sorts of fatted calves, and
all grades of the government service. This festive day was to
conclude with a brilliant ball, a small birthday ball, but yet
brilliant in its taste, its distinction and its style. Of course, I
am willing to admit that similar balls do happen sometimes,
though rarely. Such balls, more like family rejoicings than
balls, can only be given in such houses as that of the civil
councillor, Berendyev. I will say more: I even doubt if such
balls could be given in the houses of all civil councillors.
Oh, if I were a poet! such as Homer or Pushkin, I mean, of
course; with any lesser talent one would not venture - I
should certainly have painted all that glorious day for you,
oh, my readers, with a free brush and brilliant colours! Yes,
I should begin my poem with my dinner, I should lay special
stress on that striking and solemn moment when the first
goblet was raised to the honour of the queen of the fete. I
should describe to you the guests plunged in a reverent
silence and expectation, as eloquent as the rhetoric of
Demosthenes; I should describe for you, then, how Andrey
Filippovitch, having as the eldest of the guests some right to
take precedence, adorned with his grey hairs and the orders
what well befit grey hairs, got up from his seat and raised
above his head the congratulatory glass of sparkling wine -
brought from a distant kingdom to celebrate such occasions
and more like heavenly nectar than plain wine. I would
portray for you the guests and the happy parents raising their
glasses, too, after Andrey Filippovitch, and fastening upon
him eyes full of expectation. I would describe for you how
the same Andrey Filippovitch, so often mentioned, after
dropping a tear in his glass, delivered his congratulations and
good wishes, proposed the toast and drank the health . . . but
I confess, I freely confess, that I could not do justice to the
solemn moment when the queen of the fete, Klara
Olsufyevna, blushing like a rose in spring, with the glow of
bliss and of modesty, was so overcome by her feelings that
she sank into the arms of her tender mamma; how that tender
mamma shed tears, and how the father, Olsufy Ivanovitch, a
hale old man and a privy councillor, who had lost the use of
his legs in his long years of service and been rewarded by
destiny for his devotion with investments, a house, some
small estates, and a beautiful daughter, sobbed like a little
child and announced through his tears that his Excellency
was a benevolent man. I could not, I positively could not,
describe the enthusiasm that followed that moment in every
heart, an enthusiasm clearly evinced in the conduct of a
youthful register clerk (though at that moment he was more
like a civil councillor than a register clerk), who was moved
to tears, too, as he listened to Andrey Filippovitch. In his
turn, too, Andrey Filippovitch was in that solemn moment
quite unlike a collegiate councillor and the head of an office
in the department - yes, he was something else . . . what,
exactly, I do not know, but not a collegiate councillor. He
was more exalted! Finally . . . Oh, why do I not possess the
secret of lofty, powerful language, of the sublime style, to
describe these grand and edifying moments of human life,
which seem created expressly to prove that virtue sometimes
triumphs over ingratitude, free-thinking, vice and envy! I
will say nothing, but in silence - which will be better than
any eloquence - I will point to that fortunate youth, just
entering on his twenty-sixth spring - to Vladimir
Semyonovitch, Andrey Filippovitch's nephew, who in his
turn now rose from his seat, who in his turn proposed a toast,
and upon whom were fastened the tearful eyes of the parents,
the proud eyes of Andrey Filippovitch, the modest eyes of
the queen of the fete, the solemn eyes of the guests and even
the decorously envious eyes of some of the young man's
youthful colleagues. I will say nothing of that, though I
cannot refrain from observing that everything in that young
man - who was, indeed, speaking in a complimentary sense,
more like an elderly than a young man - everything, from his
blooming cheeks to his assessorial rank seemed almost to
proclaim aloud the lofty pinnacle a man can attain through
morality and good principles! I will not describe how Anton
Antonovitch Syetotochkin, a little old man as grey as a
badger, the head clerk of a department, who was a colleague
of Andrey Filippovitch's and had once been also of Olsufy
Ivanovitch's, and was an old friend of the family and Klara
Olsufyevna's godfather, in his turn proposed a toast, crowed
like a cock, and cracked many little jokes; how by this
extremely proper breach of propriety, if one may use such an
expression, he made the whole company laugh till they cried,
and how Klara Olsufyevna, at her parents' bidding, rewarded
him for his jocularity and politeness with a kiss. I will only
say that the guests, who must have felt like kinsfolk and
brothers after such a dinner, at last rose from the table, and
the elderly and more solid guests, after a brief interval spent
in friendly conversation, interspersed with some candid,
though, of course, very polite and proper observations, went
decorously into the next room and, without losing valuable
time, promptly divided themselves up into parties and, full of
the sense of their own dignity, installed themselves at tables
covered with green baize. Meanwhile, the ladies established
in the drawing-room suddenly became very affable and
began talking about dress-materials. And the venerable host,
who had lost the use of his legs in the service of loyalty and
religion, and had been rewarded with all the blessings we
have enumerated above, began walking about on crutches
among his guests, supported by Vladimir Semyonovitch and
Klara Olsufyevna, and he, too, suddenly becoming extremely
affable, decided to improvise a modest little dance, regardless
of expense; to that end a nimble youth (the one who was
more like a civil councillor than a youth) was despatched to
fetch musicians, and musicians to the number of eleven
arrived, and exactly at half-past eight struck up the inviting
strains of a French quadrille, followed by various other
dances. . . . It is needless to say that my pen is too weak, dull,
and spiritless to describe the dance that owed its inspiration
to the genial hospitality of the grey-headed host. And how,
I ask, can the modest chronicler of Mr. Golyadkin's
adventures, extremely interesting as they are in their own
way, how can I depict the choice and rare mingling of
beauty, brilliance, style, gaiety, polite solidity and solid
politeness, sportiveness, joy, all the mirth and playfulness of
these wives and daughters of petty officials, more like fairies
than ladies - in a complimentary sense - with their lily
shoulders and their rosy faces, their ethereal figures, their
playfully agile homeopathic - to use the exalted language
appropriate - little feet? How can I describe to you, finally,
the gallant officials, their partners - gay and solid youths,
steady, gleeful, decorously vague, smoking a pipe in the
intervals between the dancing in a little green room apart, or
not smoking a pipe in the intervals between the dances, every
one of them with a highly respectable surname and rank in
the service - all steeped in a sense of the elegant and a sense
of their own dignity; almost all speaking French to their
partners, or if Russian, using only the most well-bred
expressions, compliments and profound observations, and
only in the smoking -room permitting themselves some
genial lapses from this high tone, some phrases of cordial and
friendly brevity, such, for instance, as: "'Pon my soul, Petka,
you rake, you did kick me off that polka in style," or, "I say,
Vasya, you dog, you did give your partner a time of it." For
all this, as I've already had the honour of explaining, oh, my
readers! my pen fails me, and therefore I am dumb. Let us
rather return to Mr. Golyadkin, the true and only hero of my
very truthful tale.
The fact is that he found himself now in a very strange
position, to the least of it. He was here also, gentlemen - that
is, not at the dance, but almost at the dance; he was "all right,
though; he could take care of himself," yet at that moment he
was a little astray; he was standing at that moment , strange
to say - on the landing of the back stairs to Olsufy
Ivanovitch's flat. But it was "all right" his standing there; he
was "quite well." He was standing in a corner, huddled in a
place which was not very warm, though it was dark, partly
hidden by a huge cupboard and an old screen, in the midst of
rubbish, litter, and odds and ends of all sorts, concealing
himself for the time being and watching the course of
proceedings as a disinterested spectator. He was only
looking on now, gentlemen; he, too, gentlemen, might go in,
of course . . . why should he not go in? He had only to take
one step and he would go in, and would go in very adroitly.
Just now, though he had been standing nearly three hours
between the cupboard and the screen in the midst of the
rubbish, litter and odds and ends of all sorts, he was only
quoting, in his own justification, a memorable phrase of the
French minister, Villesle: "All things come in time to him
who has the strength to wait." Mr. Golyadkin had read this
sentence in some book on quite a different subject, but now
very aptly recalled it. The phrase, to begin with, was
exceedingly appropriate to his present position, and, indeed,
why should it not occur to the mind of a man who had been
waiting for almost three hours in the cold and the dark in
expectation of a happy ending to his adventures. After
quoting very appropriately the phrase of the French minister,
Villesle, Mr. Golyadkin immediately thought of the Turkish
Vizier, Martsimiris, as well as of the beautiful Mergravine
Luise, whose story he had read also in some book. Then it
occurred to his mind that the Jesuits made it their rule that
any means were justified if only the end were attained.
Fortifying himself somewhat with this historical fact, Mr.
Golyadkin said to himself, What were the Jesuits? The
Jesuits were every one of them very great fools; that he was
better than any of them; that if only the refreshment-room
would be empty for one minute (the door of the
refreshment-room opened straight into the passage to the
back stairs, where Mr. Golyadkin was in hiding now), he
would, in spite of all the Jesuits in the world, go straight in,
first from the refreshment-room into the tea-room, then into
the room where they were now playing cards, and then
straight into the hall where they were now dancing the polka,
and he would go in - he would slip through - and that would
be all, no one would notice him; and once there he would
know what to do.
Well, so this is the position in which we find the hero of
our perfectly true story, though, indeed, it is difficult to
explain what was passing in him at that moment. The fact is
that he had made his way to the back of the stairs and to the
passage, on the ground that, as he said, "why shouldn't he?
and everyone did go that way?"; but he had not ventured to
penetrate further, evidently he did not dare to do so . . . "not
because there was anything he did not dare, but just because
he did not care to, because he preferred to be in hiding"; so
here he was, waiting now for a chance to slip in, and he had
been waiting for it two hours and a half. "Why not wait?
Villesle himself had waited. But what had Villesle to do
with it?" thought Mr. Golyadkin: "How does Villesle come
in? But how am I to . . . to go and walk in? . . . Ech, you
dummy!" said Mr. Golyadkin, pinching his benumbed cheek
with his benumbed fingers; "you silly fool, you silly old
Golyadkin - silly fool of a surname!" . . .
But these compliments paid to himself were only by the
way and without any apparent aim. Now he was on the point
of pushing forward and slipping in; the refreshment-room
was empty and no one was in sight. Mr. Golyadkin saw all
this through the little window; in two steps he was at the door
and had already opened it. "Should he go in or not? Come,
should he or not? I'll go in . . . why not? to the bold all ways
lie open!" Reassuring himself in this way, our hero suddenly
and quite unexpectedly retreated behind the screen. "No," he
thought. "Ah, now, somebody's coming in? Yes, they've
come in; why did I dawdle when there were no people about?
Even so, shall I go and slip in? . . . No, how slip in when a
man has such a temperament! Fie, what a low tendency! I'm
as scared as a hen! Being scared is our special line, that's the
fact of the matter! To be abject on every occasion is our line:
no need to ask us about that. Just stand here like a post and
that's all! At home I should be having a cup of tea now . . .
It would be pleasant, too, to have a cup of tea. If I come in
later Petrushka 'll grumble, maybe. Shall I go home?
Damnation take all this! I'll go and that'll be the end of it!"
Reflecting on his position in this way, Mr. Golyadkin dashed
forward as though some one had touched a spring in him; in
two steps he found himself in the refreshment-room, flung
off his overcoat, took off his hat, hurriedly thrust these things
into a corner, straightened himself and smoothed himself
down; then . . .then he moved on to the tea-room, and from
the tea-room darted into the next room, slipped almost
unnoticed between the card-players, who were at the tip-top
of excitement, then . . . Mr. Golyadkin forgot everything that
was going on about him, and went straight as an arrow into
the drawing room.
As luck would have it they were not dancing. The ladies
were promenading up and down the room in picturesque
groups. The gentlemen were standing about in twos and
threes or flitting about the room engaging partners. Mr.
Golyadkin noticed nothing of this. He saw only Klara
Olsufyevna, near her Andrey Filippovitch, then Vladimir
Semyonovitch, two or three officers, and, finally, two or
three other young men who were also very interesting and, as
any one could see at once, were either very promising or had
actually done something. . . . He saw some one else too. Or,
rather, he saw nobody and looked at nobody . . . but, moved
by the same spring which had sent him dashing into the midst
of a ball to which he had not been invited, he moved forward,
and then forwarder and forwarder. On the way he jostled
against a councillor and trod on his foot, and incidentally
stepped on a very venerable old lady's dress and tore it a
little, pushed against a servant with a tray and then ran
against somebody else, and, not noticing all this, passing
further and further forward, he suddenly found himself facing
Klara Olsufyevna. There is no doubt whatever that he
would, with the utmost delight, without winking an eyelid,
have sunk through the earth at that moment; but what has
once been done cannot be recalled . . . can never be recalled.
What was he to do? "If I fail I don't lose heart, if I succeed
I persevere." Mr. Golyadkin was, of course, not "one to
intrigue," and "not accomplished in the art of polishing the
floor with his boots." . . . And so, indeed, it proved. Besides,
the Jesuits had some hand in it too . . . though Mr. Golyadkin
had no thoughts to spare for them now! All the moving,
noisy, laughing groups were suddenly hushed as though at a
signal and, little by little, crowded round Mr. Golyadkin. He,
however, seemed to hear nothing, to see nothing, he could
not look . . . he could not possibly look at anything; he kept
his eyes on the floor and so stood, giving himself his word of
honour, in passing, to shoot himself one way or another that
night. Making this vow, Mr. Golyadkin inwardly said to
himself, "Here goes!" and to his own great astonishment
began unexpectedly to speak.
He began with congratulations and polite wishes. The
congratulations went off well, but over the good wishes out
hero stammered. He felt that if he stammered all would be
lost at once. And so it turned out - he stammered and
floundered . . . floundering, he blushed crimson; blushing, he
was overcome with confusion. In his confusion he raised his
eyes; raising his eyes he looked about him; looking about
him - he almost swooned . . . Every one stood still, every one
was silent, a little nearer there was laughter. Mr. Golyadkin
fastened a humble, imploring look on Andrey Filippovitch.
Andrey Filippovitch. Andrey Filippovitch responded with
such a look that if our hero had not been utterly crushed
already he certainly would have been crushed a second time
- that is, if that were possible. The silence lasted long.
"This is rather concerned with my domestic circumstances
and my private life, Andrey Filippovitch," our hero,
half-dead, articulated in a scarcely audible voice; "it is not an
official incident, Andrey Filippovitch . . ."
"For shame, sir, for shame!" Andrey Filippovitch
pronounced in a half whisper, with an indescribable air of
indignation; he pronounced these words and, giving Klara
Olsufyevna his arm, he turned away from Mr. Golyadkin.
"I've nothing to be ashamed of, Andrey Filippovitch,"
answered Mr. Golyadkin, also in a whisper, turning his
miserable eyes about him, trying helplessly to discover in the
amazed crowd something on which he could gain a footing
and retrieve his social position.
"Why, it's all right, it's nothing, gentlemen! Why, what's
the matter? Why, it might happen to any one," whispered
Mr. Golyadkin, moving a little away and trying to escape
from the crowd surrounding him.
They made way for him. Our hero passed through two
rows of inquisitive and wondering spectators. Fate drew him
on. He felt himself, that fate was leading him on. He would
have given a great deal, of course, for a chance to be back in
the passage by the back stairs, without having committed a
breach of propriety; but as that was utterly impossible he
began trying to creep away into a corner and to stand there -
modestly, decorously, apart, without interfering with any
one, without attracting especial attention, but at the same
time to win the favourable notice of his host and the
company. At the same time Mr. Golyadkin felt as though the
ground were giving way under him, as though he were
staggering, falling. At last he made his way to a corner and
stood in it, like an unconcerned, rather indifferent spectator,
leaning his arms on the backs of two chairs, taking complete
possession of them in that way, and trying, as far as he could,
to glance confidently at Olsufy Ivanovitch's guests, grouped
about him. Standing nearest him was an officer, a tall and
handsome fellow, beside whom Golyadkin felt himself an
insect.
"These two chairs, lieutenant, are intended, one for Klara
Olsufyevna, and the other for Princess Tchevtchehanov; I'm
taking care of them for them," said Mr. Golyadkin
breathlessly, turning his imploring eyes on the officer. The
lieutenant said nothing, but turned away with a murderous
smile. Checked in this direction, our hero was about to try
his luck in another quarter, and directly addressed an
important councillor with a cross of great distinction on his
breast. But the councillor looked him up and down with such
a frigid stare that Mr. Golyadkin felt distinctly as though a
whole bucketful of cold water had been thrown over him. He
subsided into silence. He made up his mind that it was better
to keep quiet, not to open his lips, and to show that he was
"all right," that he was "like every one else," and that his
position, as far as he could see, was quite a proper one. With
this object he rivetted his gaze on the lining of his coat, ten
raised his eyes and fixed them upon a very
respectable-looking gentleman. "That gentleman has a wig
on," thought Mr. Golyadkin; "and if he takes off that wig he
will be bald, his head will be as bare as the palm of my
hand." Having made this important discovery, Mr.
Golyadkin thought of the Arab Emirs, whose heads are left
bare and shaven if they take off the green turbans they wear
as a sign of their descent from the prophet Mahomet. Then,
probably from some special connection of ideas with the
Turks, he thought of Turkish slippers and at once, apropos of
that, recalled the fact that Andrey Filippovitch was wearing
boots, and that his boots were more like slippers than boots.
It was evident that Mr. Golyadkin had become to some extent
reconciled to his position. "What if that chandelier," flashed
through Mr. Golyadkin's mind, "were to come down from the
ceiling and fall upon the company. I should rush at once to
save Klara Olsufyevna. Save her! I should cry. 'Don't be
alarmed, madam, it's of no consequence, I will rescue you, I.'
Then . . ." At that moment Mr. Golyadkin looked about in
search of Klara Olsufyevna, and saw Gerasimitch, Olsufy
Ivanovitch's old butler. Gerasimitch, with a most anxious
and solemnly official air, was making straight for him. Mr.
Golyadkin started and frowned from an unaccountable but
most disagreeable sensation; he looked about him
mechanically; it occurred to his mind that if only he could
somehow creep off somewhere, unobserved, on the sly -
simply disappear, that it, behave as though he had done
nothing at all, as though the matter did not concern him in the
least! . . . But before hour hero could make up his mind to do
anything, Gerasimitch was standing before him.
"Do you see, Gerasimitch," said our hero, with a little
smile, addressing Gerasimitch; "you go and tell them - do
you see the candle there in the chandelier, Gerasimitch - it
will be falling down directly: so, you know, you must tell
them to see to it; it really will fall down, Gerasimitch. . . ."
"The candle? No, the candle's standing straight; but
somebody is asking for you, sir."
"Who is asking for me, Gerasimitch?"
"I really can't say, sir, who it is. A man with a message.
Is Yakov Petrovitch Golyadkin here? says he. Then call
him out, says he, on very urgent and important business . .
. you see."
"No, Gerasimitch, you are making a mistake; in that you
are making a mistake, Gerasimitch."
"I doubt it, sir."
"No, Gerasimitch, it isn't doubtful; there's nothing doubtful
about it, Gerasimitch. Nobody's asking for me, but I'm quite
at home here - that is, in my right place, Gerasimitch."
Mr. Golyadkin took breath and looked about him. Yes!
every one in the room, all had their eyes fixed upon him, and
were listening in a sort of solemn expectation. The men had
crowded a little nearer and were all attention. A little further
away the ladies were whispering together. The master of the
house made his appearance at no great distance from Mr.
Golyadkin, and though it was impossible to detect from his
expression that he, too, was taking a close and direct interest
in Mr. Golyadkin's position, for everything was being done
with delicacy, yet, nevertheless, it all made our hero feel that
the decisive moment had come for him. Mr. Golyadkin saw
clearly that the time had come for a old stroke, the chance of
putting his enemies to shame. Mr. Golyadkin was in great
agitation. He was aware of a sort of inspiration and, in a
quivering and impressive voice, he began again, addressing
the waiting butler -
"No, my dear fellow, no one's calling for me. You are
mistaken. I will say more: you were mistaken this morning
too, when you assured me. . . . dared to assure me, I say (he
raised his voice), "that Olsufy Ivanovitch, who has been my
benefactor for as long as I can remember and has, in a sense,
been a father to me, was shutting his door upon me at the
moment of solemn family rejoicing for his paternal heart."
(Mr. Golyadkin looked about him complacently, but with
deep feeling. A tear glittered on his eyelash.) "I repeat, my
friend," our hero concluded, "you were mistaken, you were
cruelly and unpardonably mistaken. . . ."
The moment was a solemn one. Mr. Golyadkin felt that
the effect was quite certain. He stood with modestly
downcast eyes, expecting Olsufy Ivanovitch to embrace him.
Excitement and perplexity were apparent in the guests, even
the inflexible and terrible Gerasimitch faltered over the
words "I doubt it . . ." when suddenly the ruthless orchestra,
apropos of nothing, struck up a polka. All was lost, all was
scattered to the winds. Mr. Golyadkin started; Gerasimitch
stepped back; everything in the room began undulating like
the sea; and Vladimir Semyonovitch led the dance with Klara
Olsufyevna, while the handsome lieutenant followed with
Princess Tchevtchehanov. Onlookers, curious and delighted,
squeezed in to watch them dancing the polka - an interesting,
fashionable new dance which every one was crazy over. Mr.
Golyadkin was, for the time, forgotten. But suddenly all
were thrown into excitement, confusion and bustle; the music
ceased . . . a strange incident had occurred. Tired out with
the dance, and almost breathless with fatigue, Klara
Olsufyevna, with glowing cheeks and heaving bosom, sank
into an armchair, completely exhausted . . . All hearts turned
to the fascinating creature, all vied with one another in
complimenting her and thanking her for the pleasure
conferred on them, - all at once there stood before her Mr.
Golyadkin. He was pale, extremely perturbed; he, too,
seemed completely exhausted, he could scarcely move. He
was smiling for some reason, he stretched out his hand
imploringly. Klara Olsufyevna was so taken aback that she
had not time to withdraw hers and mechanically got up at his
invitation. Mr. Golyadkin lurched forward, first once, then
a second time, then lifted his leg, then made a scrape, then
gave a sort of stamp, then stumbled . . . he, too, wanted to
dance with Klara Olsufyevna. Klara Olsufyevna uttered a
shriek; every one rushed to release her hand from Mr.
Golyadkin's, and in a moment our hero was carried almost
ten paces away by the rush of the crowd. A circle formed
round him too. Two old ladies, whom he had almost
knocked down in his retreat raised a great shrieking and
outcry. The confusion was awful; all were asking questions,
every one was shouting, every one was finding fault. The
orchestra was silent. Our hero whirled round in his circle
and mechanically, with a semblance of a smile, muttered
something to himself, such as, "Why not?" and "that the
polka, so far, at least, as he could see, was a new and very
interesting dance, invented for the diversion of the ladies. . .
but that since things had taken this turn, he was ready to
consent." But Mr. Golyadkin's consent no one apparently
thought of asking. Our hero was suddenly aware that some
one's hand was laid on his arm, that another hand was
pressed against his back, that he was with peculiar solicitude
being guided in a certain direction. At last he noticed that he
was going straight to the door. Mr. Golyadkin wanted to say
something, to do something. . . . But no, he no longer wanted
to do anything. He only mechanically kept laughing in
answer. At last he was aware that they were putting on his
greatcoat, that his hat was thrust over his eyes; finally he felt
that he was in the entry on the stairs in the dark and cold. At
last he stumbled, he felt that he was falling down a precipice;
he tried to cry out - and suddenly he found himself in the
courtyard. The air blew fresh on him, he stood still for a
minute; at that very instant, the strains reached him of the
orchestra striking up again. Mr. Golyadkin suddenly recalled
it all; it seemed to him that all his flagging energies came
back to him again. He had been standing as though rivetted
to the spot, but now he started off and rushed away headlong,
anywhere, into the air, into freedom, wherever chance might
take him.
Chapter V
It was striking midnight from all the clock towers in Petersburg when Mr. Golyadkin, beside himself, ran out on the Fontanka Quay, close to the Ismailovsky Bridge, fleeing from his foes, from persecution, from a hailstorm of nips and pinches aimed at him, from the shrieks of excited old ladies, from the Ohs and Ahs of women and from the murderous eyes of Andrey Filippovitch. Mr. Golyadkin was killed - killed entirely, in the full sense of the word, and if he still preserved the power of running, it was simply through some sort of miracle, a miracle in which at last he refused himself to believe. It was an awful November night - wet, foggy, rainy, snowy, teeming with colds in the head, fevers, swollen faces, quinseys, inflammations of all kinds and descriptions - teeming, in fact, with all the gifts of a Petersburg November. The wind howled in the deserted streets, lifting up the black water of the canal above the rings on the bank, and irritably brushing against the lean lamp-posts which chimed in with its howling in a thin, shrill creak, keeping up the endless squeaky, jangling concert with which every inhabitant of Petersburg is so familiar. Snow and rain were falling both at once. Lashed by the wind, the streams of rainwater spurted almost horizontally, as though from a fireman's hose, pricking and stinging the face of the luckless Mr. Golyadkin like a thousand pins and needles. In the stillness of the night, broken only by the distant rumbling of carriages, the howl of the wind and the creaking of the lamp-posts, there was the dismal sound of the splash and gurgle of water, rushing from every roof, every porch, every pipe and every cornice, on to the granite of the pavement. There was not a soul, near or far, and, indeed, it seemed there could not be at such an hour and in such weather. And so only Mr. Golyadkin, alone with his despair, was fleeing in terror along the pavement of Fontanka, with his usual rapid little step, in haste to get home as soon as possible to his flat on the fourth storey in Shestilavotchny Street. Though the snow, the rain, and all the nameless horrors of a raging snowstorm and fog, under a Petersburg November sky, were attacking Mr. Golyadkin, already shattered by misfortunes, were showing him no mercy, giving him no rest, drenching him to the bone, glueing up his eyelids, blowing right through him from all sides, baffling and perplexing him - though conspiring and combining with all his enemies to make a grand day, evening, and night for him, in spite of all this Mr. Golyadkin was almost insensible to this final proof of the persecution of destiny: so violent had been the shock and the impression made upon him a few minutes before at the civil councillor Berendyev's! If any disinterested spectator could have glanced casually at Mr. Golyadkin's painful progress, he would certainly have said that Mr. Golyadkin looked as though he wanted to hide from himself, as though he were trying to run away from himself! Yes! It was really so. One may say more: Mr. Golyadkin did not want only to run away from himself, but to be obliterated, to cease to be, to return to dust. At the moment he took in nothing surrounding him, understood nothing of what was going on about him, and looked as though the miseries of the stormy night, of the long tramp, the rain, the snow, the wind, all the cruelty of the weather, did not exist for him. The golosh slipping off the boot on Mr. Golyadkin's right foot was left behind in the snow and slush on the pavement of Fontanka, and Mr. Golyadkin did not think of turning back to get it, did not, in fact, notice that he had lost it. He was so perplexed that, in spite of everything surrounding him, he stood several times stock still in the middle of the pavement, completely possessed by the thought of his recent horrible humiliation; at that instant he was dying, disappearing; then he suddenly set off again like mad and ran and ran without looking back, as though he were pursued, as though he were fleeing from some still more awful calamity. . . . The position was truly awful! . . . At last Mr. Golyadkin halted in exhaustion, leaned on the railing in the attitude of a man whose nose has suddenly begun to bleed, and began looking intently at the black and troubled waters of the canal. All that is known is that at that instant Mr. Golyadkin reached such a pitch of despair, was so harassed, so tortured, so exhausted, and so weakened in what feeble faculties were left him that he forgot everything, forgot the Ismailovsky Bridge, forgot Shestilavotchny Street, forgot his present plight . . . After all, what did it matter to him? The thing was done. The decision was affirmed and ratified; what could he do? All at once . . . all at once he started and involuntarily skipped a couple of paces aside. With unaccountable uneasiness he bean gazing about him; but no one was there, nothing special had happened, and yet . . . and yet he fancied that just now, that very minute, some one was standing near him, beside him, also leaning on the railing, and - marvellous to relate! - had even said something to him, said something quickly, abruptly, not quite intelligibly, but something quite private, something concerning himself. "Why, was it my fancy?" said Mr. Golyadkin, looking round once more. "But where am I standing? . . . Ech, ech," he thought finally, shaking his head, though he began gazing with an uneasy, miserable feeling into the damp, murky distance, straining his sight and doing his utmost to pierce with his short-sighted eyes the wet darkness that stretched all round him. There was nothing new, however, nothing special caught the eye of Mr. Golyadkin. Everything seemed to be all right, as it should be, that is, the snow was falling more violently, more thickly and in larger flakes, nothing could be seen twenty paces away, the lamp-posts creaked more shrilly than ever and the wind seemed to intone its melancholy song even more tearfully, more piteously, like an importunate beggar whining for a copper to get a crust of bread. At the same time a new sensation took possession of Mr. Golyadkin's whole being: agony upon agony, terror upon terror . . . a feverish tremor ran through his veins. The moment was insufferably unpleasant! "Well, no matter; perhaps it's no matter at all, and there's no stain on any one's honour. Perhaps it's as it should be," he went on, without understanding what he was saying. "Perhaps it will al be for the best in the end, and there will be nothing to complain of, and every one will be justified." Talking like this and comforting himself with words, Mr. Golyadkin shook himself a little, shook off the snow which had drifted in thick layers on his hat, his collar, his overcoat, his tie, his boots and everything - but his strange feeling, his strange obscure misery he could not get rid of, could not shake off. Somewhere in the distance there was the boom of a cannon shot. "Ach, what weather!" thought our hero. "Tchoo! isn't there going to be a flood? It seems as though the water has risen so violently." Mr. Golyadkin had hardly said or thought this when he saw a person coming towards him, belated, no doubt, like him, through some accident. An unimportant, casual incident, one might suppose, but for some unknown reason Mr. Golyadkin was troubled, even scared, and rather flurried. It was not that he was exactly afraid of some ill-intentioned man, but just that "perhaps . . . after all, who knows, this belated individual," flashed through Mr. Golyadkin's mind, "maybe he's that very thing, maybe he's the very principal thing in it, and isn't here for nothing, but is here with an object, crossing my path and provoking me." Possibly, however, he did not think this precisely, but only had a passing feeling of something like it - and very unpleasant. There was no time, however, for thinking and feeling. The stranger was already within two paces. Mr. Golyadkin, as he invariably did, hastened to assume a quite peculiar air, an air that expressed clearly that he, Golyadkin, kept himself to himself, that he was "all right," that the road was wide enough for all, and that he, Golyadkin, was not interfering with any one. Suddenly he stopped short as though petrified, as though struck by lightning, and quickly turned round after the figure which had only just passed him - turned as though some one had given him a tug from behind, as though the wind had turned him like a weathercock. The passer-by vanished quickly in the snowstorm. He, too, walked quickly; he was dressed like Mr. Golyadkin and, like him, too, wrapped up from head to foot, and he, too, tripped and trotted along the pavement of Fontanka with rapid little steps that suggested that he was a little scared. "What - what is it?" whispered Mr. Golyadkin, smiling mistrustfully, though he trembled all over. An icy shiver ran down his back. Meanwhile, the stranger had vanished completely; there was no sound of his step, while Mr. Golyadkin still stood and gazed after him. At last, however, he gradually came to himself. "Why, what's the meaning of it?" he thought with vexation. "Why, have I really gone out of my mind, or what?" He turned and went on his way, making his footsteps more rapid and frequent, and doing his best not to think of anything at all. He even closed his eyes at last with the same object. Suddenly, through the howling of the wind and the uproar of the storm, the sound of steps very close at hand reached his ears again. He started and opened his eyes. Again a rapidly approaching figure stood out black before him, some twenty paces away. This little figure was hastening, tripping along, hurrying nervously; the distance between them grew rapidly less. Mr. Golyadkin could by now get a full view of the second belated companion. He looked full at him and cried out with amazement and horror; his legs gave way under him. It was the same individual who had passed him ten minutes before, and who now quite unexpectedly turned up facing him again. But this was not the only marvel that struck Mr. Golyadkin. He was so amazed that he stood still, cried out, tried to say something, and rushed to overtake the stranger, even shouted something to him, probably anxious to stop him as quickly as possible. The stranger did, in fact, stop ten paces from Mr. Golyadkin, so that the light from the lamp-post that stood near fell full upon his whole figure - stood still, turned to Mr. Golyadkin, and with impatient and anxious face waited to hear what he would say. "Excuse me, possibly I'm mistaken," our hero brought out in a quavering voice. The stranger in silence, and with an air of annoyance, turned and rapidly went on his way, as though in haste to make up for the two seconds he had wasted on Mr. Golyadkin. As for the latter, he was quivering in every nerve, his knees shook and gave way under him, and with a moan he squatted on a stone at the edge of the pavement. There really was reason, however, for his being so overwhelmed. The fact is that this stranger seemed to him somehow familiar. That would have been nothing, though. But he recognised, almost certainly recognised this man. He had often seen him, that man, had seen him some time, and very lately too; where could it have been? Surely not yesterday? But, again, that was not the chief thing that Mr. Golyadkin had often seen him before; there was hardly anything special about the man; the man at first sight would not have aroused any special attention. He was just a man like any one else, a gentleman like all other gentlemen, of course, and perhaps he had some good qualities and very valuable one too - in fact, he was a man who was quite himself. Mr. Golyadkin cherished no sort of hatred or enmity, not even the slightest hostility towards this man - quite the contrary, it would seem, indeed - and yet (and this was the real point) he would not for any treasure on earth have been willing to meet that man, and especially to meet him as he had done now, for instance. We may say more: Mr. Golyadkin knew that man perfectly well: he even knew what he was called, what his name was; and yet nothing would have induced him, and again, for no treasure on earth would he have consented to name him, to consent to acknowledge that he was called so-and-so, that his father's name was this and his surname was that. Whether Mr. Golyadkin's stupefaction lasted a short time or a long time, whether he was sitting for a long time on the stone of the pavement I cannot say; but, recovering himself a little at last, he suddenly fall to running, without looking round, as fast as his legs could carry him; his mind was preoccupied, twice he stumbled and almost fell - and through this circumstance his other boot was also bereaved of its golosh. At last Mr. Golyadkin slackened his pace a little to get breath, looked hurriedly round and saw that he had already, without being aware of it, run passed part of the Nevsky Prospect and was now standing at the turning into Liteyny Street. Mr. Golyadkin turned into Liteyny Street. His position at that instant was like that of a man standing at the edge of a fearful precipice, while the earth is bursting open under him, is already shaking, moving, rocking for the last time, falling, drawing him into the abyss, and yet, the luckless wretch has not the strength, nor the resolution, to leap back, to avert his eyes from the yawning gulf below; the abyss draws him and at last he leaps into it of himself, himself hastening the moment of destruction. Mr. Golyadkin knew, felt and was firmly convinced that some other evil would certainly befall him on the way, that some unpleasantness would overtake him, that he would, for instance, meet his stranger once more: but - strange to say, he positively desired this meeting, considered it inevitable, and all he asked was that it might all be quickly over, that he should be relieved from his position in one way or another, but as soon as possible. And meanwhile he ran on and on, as though moved by some external force, for he felt a weakness and numbness in his whole being: he could not think of anything, though his thoughts caught at everything like brambles. A little lost dog, soaked and shivering, attached itself to Mr. Golyadkin, and ran beside him, scurrying along with tail and ears drooping, looking at him from time to time with timid comprehension. Some remote, long-forgotten idea - some memory of something that had happened long ago - came back into his mind now, kept knocking at his brain as with a hammer, vexing him and refusing to be shaken off. "Ech, that horrid little cur!" whispered Mr. Golyadkin, not understanding himself. At last he saw his stranger at the turning into Italyansky Street. But this time the stranger was not coming to meet him, but was running in the same direction as he was, and he, too, was running, a few steps in front. At last they turned into Shestilavotchny Street. Mr. Golyadkin caught his breath. The stranger stopped exactly before the house in which Mr. Golyadkin lodged. He heard a ring at the bell and almost at the same time the grating of the iron bolt. The gate opened, the stranger stooped, darted in and disappeared. Almost at the same instant Mr. Golyadkin reached the spot and like an arrow flew in at the gate. Heedless of the grumbling porter, he ran, gasping for breath, into the yard, and immediately saw his interesting companion, whom he had lost sight of for a moment. The stranger darted towards the staircase which led to Mr. Golyadkin's flat. Mr. Golyadkin rushed after him. The stairs were dark, damp and dirt. At every turning there were heaped-up masses of refuse from the flats, so that any unaccustomed stranger who found himself on the stairs in the dark was forced to travel to and fro for half an hour in danger of breaking his legs, cursing the stairs as well as the friends who lived in such an inconvenient place. But Mr. Golyadkin's companion seemed as though familiar with it, as though at home; he ran up lightly, without difficulty, showing a perfect knowledge of his surroundings. Mr. Golyadkin had almost caught him up; in fact, once or twice the stranger's coat flicked him on the nose. His heart stood still. The stranger stopped before the door of Mr. Golyadkin's flat, knocked on it, and (which would, however, have surprised Mr. Golyadkin at any other time) Petrushka, as though he had been sitting up in expectation, opened the door at once and, with a candle in his hand, followed the strange as the latter went in. The hero of our story dashed into his lodging beside himself; without taking off his hat or coat he crossed the little passage and stood still in the doorway of his room, as though thunderstruck. All his presentiments had come true. All that he had dreaded and surmised was coming to pass in reality. His breath failed him, his head was in a whirl. The stranger, also in his coat and hat, was sitting before him on his bed, and with a faint smile, screwing up his eyes, nodded to him in a friendly way. Mr. Golyadkin wanted to scream, but could not - to protest in some way, but his strength failed him. His hair stood on end, and he almost fell down with horror. And, indeed, there was good reason. He recognised his nocturnal visitor. The nocturnal visitor was no other than himself - Mr. Golyadkin himself, another Mr. Golyadkin, but absolutely the same as himself - in fact, what is called a double in every respect. . . .
Chapter VI
"Arts and letters flourish here today";
At eight o'clock next morning Mr. Golyadkin woke up in his bed. At once all the extraordinary incidents of the previous day and the wild, incredible night, with all its almost impossible adventures, presented themselves to his imagination and memory with terrifying vividness. Such intense, diabolical malice on the part of his enemies, and, above all, the final proof of that malice, froze Mr. Golyadkin's heart. But at the same time it was all so strange, incomprehensible, wild, it seemed so impossible, that it was really hard to credit the whole business; Mr. Golyadkin was, indeed, ready to admit himself that it was all an incredible delusion, a passing aberration of the fancy, a darkening of the mind, if he had not fortunately known by bitter experience to what lengths spite will sometimes carry any one, what a pitch of ferocity an enemy may reach when he is bent on revenging his honour and prestige. Besides, Mr. Golyadkin's exhausted limbs, his heavy head, his aching back, and the malignant cold in his head bore vivid witness to the probability of his expedition of the previous night and upheld the reality of it, and to some extent of all that had happened during that expedition. And, indeed, Mr. Golyadkin had known long, long before that something was being got up among them, that there was some one else with them. But after all, thinking it over thoroughly, he made up his mind to keep quiet, to submit and not to protest for the time. "They are simply plotting to frighten me, perhaps, and when they see that I don't mind, that I make no protest, but keep perfectly quiet and put up with it meekly, they'll give it up, they'll give it up of themselves, give it up of their own accord." Such, then, were the thoughts in the mind of Mr. Golyadkin as, stretching in his bed, trying to rest his exhausted limbs, he waited for Petrushka to come into his room as usual . . . He waited for a full quarter of an hour. He heard the lazy scamp fiddling about with the samovar behind the screen, and yet he could not bring himself to call him. We may say more: Mr. Golyadkin was a little afraid of confronting Petrushka. "Why, goodness knows," he thought, "goodness knows how that rascal looks at it all. He keeps on saying nothing, but he has his own ideas." At last the door creaked and Petrushka came in with a tray in his hands. Mr. Golyadkin stole a timid glance at him, impatiently waiting to see what would happen, waiting to see whether he would not say something about a certain circumstance. But Petrushka said nothing; he was, on the contrary, more silent, more glum and ill-humoured than usual; he looked askance from under his brows at everything; altogether it was evident that he was very much put out about something; he did not even once glance at his master, which, by the way, rather piqued the latter. Setting all he had brought on the table, he turned and went out of the room without a word. "He knows, he knows, he knows all about it, the scoundrel!" Mr. Golyadkin grumbled to himself as he took his tea. Yet out hero did not address a single question to his servant, though Petrushka came into his room several times afterwards on various errands. Mr. Golyadkin was in great trepidation of spirit. He dreaded going to the office. He had a strong presentiment that there he would find something that would not be "just so." "You may be sure," he thought, "that as soon as you go you will light upon something! Isn't it better to endure in patience? Isn't it better to wait a bit now? Let them do what they like there; but I'd better stay here a bit today, recover my strength, get better, and think over the whole affair more thoroughly, then afterwards I could seize the right moment, fall upon them like snow from the sky, and get off scot free myself." Reasoning like this, Mr. Golyadkin smoked pipe after pipe; time was flying. It was already nearly half-past nine. "Why, it's half-past nine already," thought Mr. Golyadkin; "it's late for me to make my appearance. Besides, I'm ill, of course I'm ill, I'm certainly ill; who denies it? What's the matter with me? If they send to make inquiries, let the executive clerk come; and, indeed, what is the mater with me really? Mr back aches, I have a cough, and a cold in my head; and, in fact, it's out of the question for me to go out, utterly out of the question in such weather. I might be taken ill and, very likely, die; nowadays especially the death-rate is so high . . ." With such reasoning Mr. Golyadkin succeeded at last in setting his conscience at rest, and defended himself against the reprimands he expected from Andrey Filippovitch for neglect of his duty. As a rule in such cases our hero was particularly fond of justifying himself in his own eyes with all sorts of irrefutable arguments, and so completely setting his conscience at rest. And so now, having completely soothed his conscience, he took up his pipe, filled it, and had no sooner settled down comfortably to smoke, when he jumped up quickly from the sofa, flung away the pipe, briskly washed, shaved, and brushed his hair, got into his uniform and so on, snatched up some papers, and flew to the office. Mr. Golyadkin went into his department timidly, in quivering expectation of something unpleasant - an expectation which was none the less disagreeable for being vague and unconscious; he sat timidly down in his invariable place next the head clerk, Anton Antonovitch Syetotchkin. Without looking at anything or allowing his attention to be distracted, he plunged into the contents of the papers that lay before him. He made up his mind and vowed to himself to avoid, as far as possible, anything provocative, anything that might compromise him, such as indiscreet questions, jests, or unseemly allusions to any incidents of the previous evening; he made up his mind also to abstain from the usual interchange of civilities with his colleagues, such as inquiries after health and such like. But evidently it was impossible, out of the question, to keep to this. Anxiety and uneasiness in regard to anything near him that was annoying always worried him far more than the annoyance itself. And that was why, in spite of his inward vows to refrain from entering into anything, whatever happened, and to keep aloof from everything, Mr. Golyadkin from time to time, on the sly, very, very quietly, raised his head and stealthily looked about him to right and to left, peeped at the countenances of his colleagues, and tried to gather whether there were not something new and particular in them referring to himself and with sinister motives concealed from him. He assumed that there must be a connection between all that had happened yesterday and all that surrounded him now. At last, in his misery, he began to long for something - goodness knows what - to happen to put an end to it - even some calamity - he did not care. At this point destiny caught Mr. Golyadkin: he had hardly felt this desire when his doubts were solved in the strange and most unexpected manner. The door leading from the next room suddenly gave a soft and timid creak, as though to indicate that the person about to enter was a very unimportant one, and a figure, very familiar to Mr. Golyadkin, stood shyly before the very table at which our hero was seated. The latter did not raise his head - no, he only stole a glance at him, the tiniest glance; but he knew all, he understood all, to every detail. He grew hot with shame, and buried his devoted head in his papers with precisely the same object with which the ostrich, pursued by hunters, hides his head in the burning sand. The new arrival bowed to Andrey Filippovitch, and thereupon he heard a voice speaking in the regulation tone of condescending tone of politeness with which all persons in authority address their subordinates in public offices. "Take a seat here." said Andrey Filippovitch, motioning the newcomer to Anton Antonovitch's table. "Here, opposite Mr. Golyadkin, and we'll soon give you something to do." Andrey Filippovitch ended by making a rapid gesture that decorously admonished the newcomer of his duty, and then he immediately became engrossed in the study of the papers that lay in a heap before him. Mr. Golyadkin lifted his eyes at last, and that he did not fall into a swoon was simply because he had foreseen it all from the first, that he had been forewarned from the first, guessing in his soul who the stranger was. Mr. Golyadkin's first movement was to look quickly about him, to see whether there were any whispering, any office joke being cracked on the subject, whether any one's face was agape with wonder, whether, indeed, some one had not fallen under the table from terror. But to his intense astonishment there was no sign of anything of the sort. The behaviour of his colleagues and companions surprised him. It seemed contrary to the dictates of common sense. Mr. Golyadkin was positively scared at this extraordinary reticent. The fact spoke for itself; it was a strange, horrible, uncanny thing. It was enough to rouse any one. All this, of course, only passed rapidly through Mr. Golyadkin's mind. He felt as though he were burning in a slow fire. And, indeed, there was enough to make him. The figure that was sitting opposite Mr. Golyadkin now was his terror, was his shame, was him nightmare of the evening before; in short, was Mr. Golyadkin himself, not the Mr. Golyadkin who was sitting now in his chair with his mouth wide open and his pen petrified in his hand, not the one who acred as assistant to his chief, not the one who liked to efface himself and slink away in the crowd, not the one whose deportment plainly said, "Don't touch me and I won't touch you," or, "Don't interfere with me, you see I'm not touching you"; no, this was another Mr. Golyadkin, quite different, yet at the same time, exactly like the first - the same height, the same figure, the same clothes, the same baldness; in fact, nothing, absolutely nothing, was lacking to complete the likeness, so that if one were to set them side by side, nobody, absolutely nobody, could have undertaken to distinguish which was the real Mr. Golyadkin and which was the new one, which was the original and which was the copy. Our hero was - if the comparison can be made - in the position of a man upon whom some practical joker has stealthily, by way of jest, turned a burning glass. "What does it mean? Is it a dream?" he wondered. "Is it reality or the continuation of